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The Economics of
Joussiance

J-A MILLER

Women and Families
ALAIN BADIOU

Moments in a
Love Story
MARIE-HÉLÈNE
BROUSSE

Feminine Jouissance
ÉRIC LAURENT

The Child As Object
PIERRE-GILLES
G
UÉGUEN

Persistent Trait
LILA ZEMBORIAN /
MARTIN REYNA

Eating Alone in the
Byways of Smithson
CATHY LEBOWITZ

The Grandmother's Voice
SLAVOJ ŽIŽEK

Martin Kippenberger,
Sigmar Polke
CL INTERVIEWS JA



          

Martin Kippernberger,
Sigmar Polke
[excerpt]







Cathy Lebowitz interviews Josefina Ayerza


Sigmar Polke

Cathy Lebowitz: The sculpture of Kippenberger's man in a moving chair, in his suit, with his plastic face, reminds me of Zizek's discussion of Lacan's idea of appearances. Appearance at its purest "occurs not when we put up a deceiving screen to conceal the transgression, but when we fake that there is a transgression to be concealed." Who is this man? What is he hiding?

Josefina Ayerza: As for Kippenberger's man in a moving chair, in his suit, with his plastic face… if faking a transgression to be concealed, he may no longer pretend he doesn't know what everyone knows he knows because his thoughts are visible — inside his transparent head. To a point that everybody can see it, something in the shape of a body stands in between his eyes… The feet on the man's mouth, if the figure sitting in place of his nose is a woman, she could well fit Lacan's concept about the woman being the symptom of man[…]






Art: Martin Kippenberger
"I Had A Vision," 2011
Installation view at Luhring Augustine




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