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Joan Copjec | |
| Books: | ||
| 1989 |
Read My Desire: Lacan against the Historicists. Cambridge, MA, MIT Press, 1994; 2nd. ed., 1995. | |
| 2002 |
Imagine There's No Woman : Ethics and Sublimation
Cambridge, MA., MIT Press. | |
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Books, edited: |
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| 1987 |
October: The First Decade. 1976-86. with Douglas Crimp, Rosalind Krauss, Annette Michelson, Cambridge, MA., MIT Press. | |
| 1990 |
Jacques Lacan: Television/ A Challenge to the Psychoanalytic Establishment. New York, W. W. Norton. |
| 1993 |
Shades of Noir: A Reader. London and New York, Verso. |
| 1994 |
Supposing the Subject. London and New York, Verso. |
| 1996 |
Radical Evil. London and New York, Verso. |
| 1998 |
Giving Ground: The Politics of Propinquity. London and New York, Verso. |
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Articles in books: |
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| 1987 |
Flavit et dissipati sunt. October: The First Decade 1976-86, MIT Press. |
| 1988 |
India Song/ Son nom de Venise dans Calcutta desert: The Compulsion to Repeat. Feminism and Film Theory, ed. Constance Penley, Washington and New York, American Film Institute and Routledge. |
| 1989 |
Cutting Up. Between Feminism and Psychoanalysis, ed. Teresa Brennan, London and New York, Routledge. |
| 1990 |
m/f, or Not Reconciled. The Woman in Question, ed. Parveen Adams and Elizabeth Cowie, Cambridge, MA., MIT Press. |
| 1990 |
Dossier on the Institutional Debate: Introduction. Jacques Lacan: Television/ A Challenge to the Psychoanalytic Establishment W . W. Norton. |
| 1991 |
The Grid and the Logic of Democracy. The Urban Text. Cambridge, MA., MIT Press. |
| 1994 |
The Phenomenal/Nonphenomenal: Private Space in Film Noir," and "Introduction. Shades of Noir: A Reader, Verso. |
| 1994 |
Sex and the Euthanasia of Reason," and "Introduction. Supposing the Subject, Verso. |
| 1995 |
The Unvermogender Other: Hysteria and Democracy in America. The Unvermogender Other: Hysteria and Democracy in America. |
| 1996 |
Evil in the Time of the Finite World. Radical Evil, Verso. |
| 1998 |
More! From Melodrama to Magnitude. Endless Nights: Cinema and Psychoanalysis/Parallel Histories, ed. Janet Bergstrom. Berkeley, University of California Press. |
| 1998 |
The Tomb of Perseverance. Giving Ground: The Politics of Propinquity, Verso. |
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Articles in journals: |
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| 1980 |
Thriller: An intrigue of identification. Cine-tracts (:Canada), no. 11. |
| 1981 |
D'Asparagus. Millennium Film Journal. |
| 1981 |
India Song/ Son nom de Venise dans Calcutta desert: The Compulsion to Repeat. October 17. |
| 1982 |
In Lieu of Essence: An exposition of a photographic work by Silvia Kolbowski. Block (England), no. 7. |
| 1982 |
The Anxiety of the Influencing Machine. October 23. |
| 1983 |
Seduction, Sedition, and the Dictionary. m/f (England). |
| 1984 |
Crystal Gazing: Seeing Red. Millennium Film Journal. |
| 1984 |
Discipleship," and "Transference: Letters and the Unknown Woman. October 28. |
| 1986 |
The Delirium of Clinical Perfection. Oxford Literary Review, vol. 8, nos. 1/2. |
| 1989 |
The Orthopsychic Subject: Film Theory and the Reception of Lacan. October 49. |
| 1989 |
The Sartorial Superego. October 50. |
| 1990 |
Female Spectatorship. Camera Obscura, nos. 20/ 21. |
| 1990 |
The Visual Construction of Sexual Difference. Motion Picture, vol. III, nos. 3/4. |
| 1991 |
The Unvemogender Other: Hysteria and Democracy in America. New Formations, no. 14. |
| 1991 |
Vampires, Breast Feeding, and Anxiety. October 58. |
| 1993 |
The Subject Defined by Suffrage. Lacanian Ink, no. 7. |
| 1994 |
The Cogito, the Unconscious, and the Invention of Crying. New Formations, no. 23 |
| 1995 |
Sex Does Not Budge: American Voluntarism and the Inflexibility of Sex. Savoir |
| 1995 |
Shrooms: East New York. Assemblage, no. 24 |
| 1995 |
The Symbolic without the Father. Lacanian Ink, vol. 10 |
| 1998 |
The Strut of Vision: Seeing's Somatic Support. Qui Parle, vol. 10, no.1 |
| 1999 |
Giving Ground : The Politics of Propinquity.
New York, Verso. Qui Parle, vol. 10, no.1 |
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